In my art practice I seek to illuminate, rather than illustrate, relationships of place, history and personal experience. My ongoing connection with the land manifests itself as a visceral instinctive attraction to materials and surface quality, that celebrates the rich vocabulary and nuances of the tamed and untamed environment and comments on our often vexed relationship with it.
Annabel Nowlan
- All That Remains_2017_mixed media on tin_90x120cm_A Nowlan
- Blackout_2005_oil and impasto on canvas_120x120cm_A Nowlan
- EMPTY PROMISE, 2014 mixed media on aluminium and tin on ply 60 x 55cm
- FORGOTTEN SCRIPTS III IV & V (TRIPTYCH)_A NOWLAN_MIXED MEDIA_600X1650MMW
- HOTS AS . . . , 2015 mixed media on aluminium on ply 60 x 55cm
- IT’S CERTAINTY NOT DOUBT, THAT CAUSES MADNESS, 2021 Mixed media on ply 84 x 105cm
- ON THE WALLABY_A NOWLAN_MIXED MEDIA ON TIN_900X1200MMW_2017
- PERISH THE THOUGHT_A NOWLAN_MIXED MEDIA_900X1220MMW_2018
- Riding Roughshod_2005_mixed media on tarpaulin on ply_150x200cm_A Nowlan
- The Biography of Things – Crown_2011_copper and patina on aluminium_60x55cm_A Nowlan
- THE CUNNING OF UNCERTAINTY (TRIPTYCH)_A NOWLAN_MIXED
- THE LONG PADDOCK_A NOWLAN_MIXED MEDIA_900X1220MMW_2018
- UNFINISHED MAPS 6_A NOWLAN_MIXED MEDIA_78X120_2019
- We All Be Rooned III_2018_mixed media on tarpaulin on ply_120x150cm_A Nowlan
- WEDGE, 2014 mixed media on aluminium on ply 60 x 55cm
- WIRADJURI I and II, 2014 Diptych, mixed media on tarpaulin on ply 60 x 110cm